Blue Hour, process, the second project
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Blue Hour: UK edition

It’s been five years since SEE WHAT I HAVE DONE was released. In that time I worked on a second novel which felt all consuming to write. A year or so into the project I became terrified, essentially convinced I would never finish writing a first draft let alone deliver a completed manuscript fit for publication: I realised I had no idea how to write this novel and I was afraid of what was appearing on the page. The self doubt and hyper criticism became too much at times. And then there was the intensity of sharing head space with my characters and their lives. I wanted none of it, I wanted all of it. And yet. I kept going. Because what else would I do with my life if I stopped writing it?

But now we’re here.

The good people at Tinder Press (UK) have recently released their cover and blurb for BLUE HOUR which is released later this year. You can find out more here: https://www.tinderpress.co.uk/titles/sarah-schmidt/blue-hour/9781472250629/

She thinks of blue mountain, her favourite place. ‘We’re going somewhere where we can be safe. We never have to come back here.’ She eyes the rearview mirror, keeps a look out for headlights, keeps a look out for him.

As dawn breaks over sleeping houses, Eleanor straps her infant daughter Amy, into the back of her car. Together they will escape the private hell of Eleanor’s marriage to make the drive to blue mountain, a place of enchantment and refuge that lit up Eleanor’s childhood. Can she be sure that her husband is not on their trail?

As the car eats up the long miles of highway, so Eleanor’s mind dives back into the depths of her childhood, and into her fraught relationship with her mother, Kitty. Kitty a woman who wanted so much, in marriage and in love. Kitty who always tried too hard to bend Eleanor, her brother and her father, to her image of the perfect family.

In her masterful return to fiction, Sarah Schmidt, acclaimed author of SEE WHAT I HAVE DONE reworks the classic road novel to tense, devastating, and ultimately redemptive effect.

This entry was posted in: Blue Hour, process, the second project

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writer, observer, reader, procrastinator. My debut novel, See What I Have Done, published by Hachette (ANZ), Tinder Press (UK), Grove Atlantic (US), Piper Verlag (German), Editions Payot & Rivages (French), Hollands Diep (Dutch), Edizioni Piemme (Italian), GW Foksal (Polish), Palto Publishing (Turkish), MunhakDongne (Korean) Represented by: Pippa Masson, Curtis Brown Australia Dan Lazar, Writer’s House (US) Gordon Wise, Curtis Brown (UK) SEE WHAT I HAVE DONE (Awards and Some Praise) WINNER OF THE ABIA LITERARY FICTION OF THE YEAR 2018 WINNER OF THE MUD LITERARY AWARD 2018 Longlisted for the Women's Prize for Fiction 2018 Shortlisted for the Indie Book Award for Debut Fiction 2018 Shortlisted for the Strand Critics Awards for Best First Novel Longlisted for the ABIA Matt Richell Award for New Writers 2018 Longlisted for the International Dublin Literary Award 2019 For the originality of its voice and the power of its language and imagery, See What I Have Done deserves to be considered a Gothic classic - THE SATURDAY PAPER See What I Have Done is a meticulously researched and boldly imagined book that crackles with tension throughout. Schmidt's portrayal of Lizzie is haunting and complex, a deeply psychological portrait that forces the reader to question their preconceptions about what women are capable of - for better and worse. Both disturbing and gripping, it is an outstanding debut novel about love, death and the lifelong repercussions of unresolved grief. - The Observer Schmidt is a consummate storyteller whose account of the Borden murders is utterly compelling. - Australian Book Review Schmidt's writing is rich and confident, painting a vivid portrait of a household with something rotten at its core. It's a strong debut that promises much from an original and compelling new voice in Australian literature. - The Guardian There are books about murder and there are books about imploding families; this is the rare novel that seamlessly weaves the two together, asking as many questions as it answers. - Kirkus Reviews [An] unforgettable debut ... Equally compelling as a whodunit, 'whydunit,' and historical novel. - Publishers Weekly Heralds the arrival of a major new talent ... Nail-biting horror mixes with a quiet, unforgettable power to create a novel readers will stay up all night finishing. - Booklist This novel is like a crazy murdery fever dream, swirling around the day of the murders. Schmidt has written not just a tale of a crime, but a novel of the senses. There is hardly a sentence that goes by without mention of some sensation, whether it’s a smell or a sound or a taste, and it is this complete saturation of the senses that enables the novel to soak into your brain and envelope you in creepy uncomfortableness. It’s a fabulous, unsettling book. —Book Riot Eerie and compelling, Sarah Schmidt breathes such life into the terrible, twisted tale of Lizzie Borden and her family, she makes it impossible to look away. —Paula Hawkins, author of The Girl on the Train

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